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Aargauer Kunsthaus - Heads, Kisses, Battles - Nicole Eisenman and the Moderns


Encounter. When gender, sexuality and freedom is linked with modern artists and the oeuvre of Nicole Eisenman

1. Nicole Eisenman, Watchers, 2016, Oil on linen, 113 x 136 cm, Private collection, Photo: 
© Nicole Ersenman, Courtesy of the artist and the Galerie Hauser & Wirth. Photo: Info Bustorf


    Titled “Heads, Kisses, Battles - Nicole Eisenman and the Moderns”, the exhibition of the Aargauer Kunsthaus, which was on show at the Kunsthalle Bielefeld, and will later travel to the Fondation Vincent Van Gogh Arles and the Kunstmuseum Den Haag. 

The show is comprising of 70 works by Nicole Eisenman in dialogue with modern works such as Pablo Picasso, Edvard Munch, Alice Bailly and Alexej von Jawlensky.

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2. Nicole Eisenman, Untitled, 2008, Monotype on paper, 60 x 47 cm, Victoria Robinson Coll., Photo: 
© Nicole Ersenman, Courtesy of the artist and the Galerie Hauser & Wirth. Photo: Info Bustorf

    When I first encounter the oeuvre of Nicole Eisenman, it was in a book titled “ Nicole Eisenman” and published in 2011 by JRP edition. But, did you know her? Did you know her past, with is evoked in the retrospective, which evoke her relation with sexuality, gender, copy, style and creation?


    Thus, the artist, which was born in 1965 in Verdun (France), as quickly moved and grow up in the United stated. By moving to Scarsdale in the state of New-York, she was able to find herself in a multicultural, free and easygoing city full of different personality and person. All of the contrary of her parent, which is very strict and not very open.


    When she decided to start her study of art at the Rhode Island School of Design, she, of course received a B.F.A in painting in 1987. But she will feel her love for woman, a proud woman. In the mean time, she though herself to be gender fluid with the pronom she, her, they or them.


The exhibition in itself, past, 

present and themes

3. Installationsansicht Köpfe, Küsse, Kämpfe. Nicole Eisenman und die Modernen 29.1. – 
24.4.2022, Aargauer Kunsthaus, Aarau, Foto: ullmann.photography


    While the artist mostly resides in the United States, she never lost her European inspirations with works by Vincent Van Gogh, Edvard Munch, Pablo Picasso or even Ernst Ludwig Kirchner and Hermann Scherer. Thus, the exhibition is an hommage to the artist she admired and to her German-Jewish descent, her great-grandmother witch was Esther Hamerman, a Polish painter and artist.

    She's also evoking today's works with themes such as the human existence, social conventions of gender, conflicts and identity. While making a step in the past with elements from the Renaissance, history painting from the 17th and 18th century and modern artworks with entered into a dialogue with the full spectrum of her oeuvre.

    She's also trying to open up a dialogue about what male and occidental perspective on art history have shaped what we have in our museums and how little women there are in those collections. Thus, she's including, next to her works mostly works made by female artist such as Alice Bailly, while evoking mostly Swiss or German artists such as Hermann Scherer.


4. Installationsansicht Köpfe, Küsse, Kämpfe. Nicole Eisenman und die Modernen 29.1. – 
24.4.2022, Aargauer Kunsthaus, Aarau, Foto: ullmann.photography

    While the title evokes an exhibition made around modern connections and a few themes, it's, beforehand a retrospective. Thus, the first room of the exhibition (picture N°4) is a room dedicated to one of her latest works titled "Night Studio". And numerous works she made during the 2010s and the 2020s. 

    But, as you encounter them with works as old as one hundred year, you feel like they take part of a group, a series of work or even depicting the same theme or emotion in a different perspective. But, from time to time she's clearly referring to icons of modern art while shapeshifting it into a new oeuvre with a new technique or point of view.

While a full ray of style and inspiration, the artist defined herself as a "stylistic chameleon" with a figurative approach. From time to time it's more realists, abstract, big or small, but never the less powerful in the subject she wants to transform and focus on.

Informations about the exhibition


Place: Aargauer Kunsthaus

Date: 29.1.2022 – 24.4.2022

Curator: Nicole Eisenman and Dr. Katharina Ammann

Ticket: Available at the front desk of the museum

Informations about the Aargauer Kunsthaus


Aargauer Kunsthaus

Aargauerplatz

CH-5001 Aarau

Phone: +41 62 835 23 30

Mail: Kunsthaus@ag.ch



© Lucas GASGAR / Lucas Art Talks 2022